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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
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My classmate Fumiko scampered about 50 meters ahead of us. When I looked up to see why she was calling, I saw her pointing to a large form on the ground.

‘Look over there,’ she shouted. ‘It has escaped from the zoo. It’s an alligator.’ It lay in our path to the school, so we approached with caution. Fumiko found a rock.

She drew back the rock above her head as she approached the creature. Then, Fumiko froze in her tracks, screaming hysterically. I ran to her side. The face looking up at us from the crawling creature was human. The shrieking in my ear kept me from hearing what the face was trying to say. I could just see it pleading for something — probably water. No clothes or hair were visible, just large, gray scalelike burns covering its head and body. The skin around its eyes had burned away, leaving the eyeballs, huge and terrifying. Whether male or female I never found out.

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INTERVIEW: Si Spencer and Nicolo Assirelli on THE RETURNERS

Hola! Welcome to delights of South America’s Ciudad Barranquilla - the poorest city in the world and one of the most corrupt, with the Judges just as dodgy as the Cartel bosses.

Starting in this month’s Judge Dredd Megazine #394, writer Si Spencer and new 2000 AD artist Nicolo Assirelli venture into this hotbed of criminality and corruption in The Returners: Irmazhina.

Opening with a Justice Department city block disappearing from the face of the Earth, the six-part series takes four unlikely, and shady, characters on an adventure in a mysterious Mayan pyramid only they can see.

Richard Bruton talks to Si Spencer and Nicolo Assirelli about what we can expect from this latest South American sojourn in the Megazine…